Description

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Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.

About the Author

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Deborah Justice teaches at the Setnor School of Music at Syracuse University and is Managing Director of the Cornell Concert Series at Cornell University. She is the author of Middle Eastern Music for Hammered Dulcimer.